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Their contributions power the show through to the finale, one which pays homage to the reluctant heroes of the night – the puppeteers, who emerge from anonymity to reveal themselves to the public. Comprising of woodwind and percussion instruments, the musicians rarely look at the audience, instead channeling all their energy in crafting each note in conjunction with the movements taking place on the water. The use of Cheo, a style of folk music performed with a small orchestra, is crucial in providing dramatic effects to keep the audience’s attention. While the farmer is ashamed of his inability to hunt food, it is the background score that gives the scene a feel of slapstick comedy. With one last desperate lunge, the farmer slams the bamboo basket too close to the boat, mistiming his attack and hitting the head of his fellow fisherman who is sitting in the boat, earning the audience’s laughter. So daring is the fish, he taunts the farmer by swimming around him and underneath the boat which the farmer used for transportation. The farmer stands in the river, basket poised, ready to land a lethal blow, but his foe averts the enemy on several occasions. It involves an intriguing battle between a farmer and a fish. It is hard for me to pick a favorite moment, but my thoughts turn to one scene which emphasize the true purpose of water puppetry satire.

The story is as informative as it is heartwarming. The arrival of three other mythical creatures, the unicorn, phoenix and tortoise, represent qualities required for village dwellers to preserve prosperity and good health. It takes the arrival of the dragon, signaling the commencement of Tet, or Vietnamese New Year, to ward off evil spirits which nearly engulfed the village. As villagers become more suspicious of each other, a struggle develops between landlords and farmers. Unfortunately, the peace is disrupted when a duck goes missing, causing uneasiness in the village. There is a high expectation of a good crop yield. Men toil the fields with their buffaloes and women plant rice. This is a guided tour about peasant life in the rainy season near the Perfume River. The audience is introduced to Teu, a jolly-looking man in a red gown who will narrate the evening’s proceedings. Little is known about their techniques, but the mystique associated with the Vietnamese art of water puppetry only adds to the anticipation of a memorable night ahead.Īs a non-Vietnamese language speaker and with nobody to translate for me, I rely on my observation of the puppets’ antics rather than the dialogue. The men and women responsible for the puppets’ flawless movements of puppets will have their moment to bask in glory, but now it is time for the stars to take to the stage. The puppets will undoubtedly be the main attraction, but who is pulling the strings? The real geniuses are hiding their identities behind bamboo blinds disguised as backdrops of well-known landmarks such as the Truong Tien Bridge in the city of Hue. These days, performances are for the benefit of visitors wishing to expand their cultural appetites, and I am waiting patiently for my serving. Originally, water puppet shows were strictly for hamlet dwellers, celebrating the arrival of spring or a major festival (Contreras, 1995, 25). For me, it will be a new method of learning history. The tales are about life in northern Vietnam’s rural landscape. In a few minutes time, a performance will breathe new life into legends and folklore dating back from the Lý Dynasty which ruled Vietnam between 10. Use the links in the table to get more details about specific policies.On a warm evening in Hanoi’s Thanh Long Theatre, the best way to cool off and be entertained is watch a few wooden characters tell a story while floating in a shallow pool. These tables list all of the browser-related group policies available in this release of Microsoft Edge. This article applies to Microsoft Edge version 77 or later.